Fabric, needle, and thread:
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Traditionally, sashiko uses light colored thread over darker shades of fabric. Again, the most popular shade was dark blue or indigo, and white cotton thread was used to work over it. These days, you can always experiment with the color shade of the fabric or thread to apply the sashiko technique. | |
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The fabric used popularly was and still is cotton. Tightly woven even weave fabric can be good for sahiko. These days, silk and wool is also catching up on popularity.
The sahiko thread is made of pure cotton and has no sheen. It has a heavier look and is more twisted than the perle cotton thread. If working on a cotton fabric, the sashiko thread can be replaced with perle cotton (#5, preferably) or four strands of cotton floss. Of course, different fabrics would have different thread requirement. For instance, while working on silk, you might use lighter or thinner threads.
Traditionally, the sashiko needle is almost 2 inches long with a small eye. This needle helps in taking many stitches at a time. It is best to avoid short needles as the stitching can become tiresome and time consuming. Try to use a long needle with a comfotably open eye.
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1. Keep the running stitches as even as possible. Any uneveness will easily be shown on the pattern.
2. The stitch on the front side of the fabric is more than the one under. The general ratio is 3:2. 3. Keeping the working thread at a length of 20 inches at a time. That will help in a comfortable stitching. |
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How to begin, continue, and end:
Traditionally, sashiko does not allow to start or end a stitch with a knot. But, for the ease of it, we can use knots where the reverse of the fabric will not be used or shown. For fabrics where reverse will be shown, use the traditional method as following:
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Consider that the stitch is worked from left to right.
Note that the overlapping of the few stitches is what secures the thread. Try keeping the ends of the thread at teh reverse side of the fabric. Cut the ends of the thread as close as possible to the fabric to give a neat appearance. |
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| Beginning | Continuing with a stitch | Ending |
2. When the reverse side of the fabric is hidden, you can turn using the same thread. You can carry the working thread at the back of the cloth if the distance is not more than an inch. Try to leave the carrying thread loose to avoid puckering of the fabric.
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The corners should be kept sharp. for this, one of the stitch should fall on the corner. That is, the needle should either come up or go in through the corner point. Any other effect other than what is shown in the illustration is wrong. (See the different corners)
The centres should be left open. It should look like as in this illustration. Any thing apart from this is wrong.
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| 1. Horizontal & vertical lines | 2. Diagonal lines | 3. Curved lines |
There might are a few ways in which the designs could be transfered to a cloth.
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1. Using a tailors’ chalk to draw directly over the cloth. 2. Using a tracing paper to copy the design from the design sheet to the fabric. |
Tags: hitomezashi, japanese, kogin, quilt, sashiko, traditional












That’s just awesome! Neat, crisp appearance. I’ll have to try it some day!
wow, thats awesome!! especially the combination of indigo and white… oowww….
I dont have anything in indigo sure i am gonna try it on a kurthi….
Sarah, I am really interested in Brazilian embroidery can you post instructions and on that which might be really helpful..!!
Cheers..:-)
Happy embroidering…:-)
I just love it! your work looks great. Thanks so much for showing us this.
Hi,
I’m so enjoed from you’r website. it is so great and professional.
may i aske you for help? actully im looking for some women thtat know well to embroyed for my project.or mabye we can make appointment and talk?
I’m so appreciat you gave me your precious time.
Best Regards
Regine Orren
Dear Regine,
Thank you. You can probably email me with some details about your projects and the background. Then, we can try to fix an appointment to discuss further?
You can pick up my contact details from : http://www.embroidery.rocksea.org/reference/summer-workshop/
I have a cross stitch project I want to do but I’m confused on a part of it… what is the difference between a back stitch and a straight stitch?
Dear Alesha,
you can check these links to clarify your doubt.
http://www.embroidery.rocksea.org/stitch/straight-stitch/straight-stitch/
http://www.embroidery.rocksea.org/stitch/back-stitch/back-stitch/
Merci Sarah pour toutes ces explications. J’adore le bleu et je trouve ce modèle fort réussi.
hi i want to know how to draw these designs pls tell me bc i dnk knw how to draw design in ur images u use graph paper thats why i want that pls tell me is there what paper for drawing emroidry design
Reply
Dear Sana,
I have used a normal graph sheet to draw my designs. You can design your own designs too. It is not very difficult. If you go through the lessons, you will understand and get an idea on how to make these designs using a graphed sheet. (I have used a primary school mathematics practice book for the graphs).
Later, you can trace these designs directly on to the cloth. Else, you can make a graph on the fabric and draw the designs over it.
Hope this information helped.
its just intersting …i learned alot…i am getting more crazy to learn…thankz
thanks for this website
hi i want to do embroidery on my kurtis neck. the designs may be like flower, rose ect. plz send me some designs for my kurtis neck with the procedure to make it.
very good stiches . want some designs for necklines inwich we use these stiches